Wednesday, November 14, 2007

The Worst Music Video Ever



Wow... Well, enough said? The video I was going to pick for this honorable title might have offended, so the one will definitely work instead. Hopefully no one in the class is from Finland. The song is called "I Wanna Love You Tender." The artists are Armi and Danny, a couple of Finnish singers.

I hate this video probably because it is agony to watch. It makes me ask questions like, "Why?" and "What is the point?!?" and definitely not in a good, mysterious way, either. The video appears to be really old, so it deserves a little bit of slack, but this one really takes the cake and abuses the privilege.

First of all, the dancers look ridiculous from the start. They are barely in sync with one another. And the actions (can you call them dance moves?) that they are doing aren't that appealing to the eye anyways.

Secondly, the two main singers show no emotion in their faces what-so-ever. I am reminded strongly of robots, stuck in the same ridiculous smile for no reason. The man is especially guilty of this. He just stands there, grinning stupidly, as he sings some lyrics that shouldn't be smiled at.

Thirdly, the whole "fake space / disco dance floor" scene just doesn't work. Like every other aspect, it does not fit the song. It comes across as tacky, alongside the costumes and the song itself, actually. That foundation of a really good song isn't even there, so it's hard to build off of that.

Overall, the music video is just pointless. Nothing done in it makes any sense or serves any purpose. I believe a music video should enhance the music in some way, by added the visual element. However, I would have loved this song much more tenderly, I think, had I just heard the lyrics without being put throught the misery of watching it.

My Top Four Music Videos

Well, I didn't get this assignment posted in time, so I will not get a grade for it anyways, so I figured I'd still write for the experience, but do it slightly differently. So... I was debating between 4 different music videos for the best one. I kind-of decided on one, but then I thought, I don't want to deprive anyone of the chance to see some amazing music videos, so I'm putting all four of them on here!!! :) So, what makes a good music video to me? Well, you gotta start out with a good song- you can't go anywhere without that foundation. From there, I think the best music videos tell a story. Those are the ones that I want to sit through and watch, anyway, as well as share with others.

The first one is "Whiskey Lullaby," sung by Brad Paisley and Allison Krauss. It gets fourth place on my little mini-countdown because, first of all, it's a great song with a music video that tells a great story. It also has a wonderful ending. One could argue that this video is the best of all four, hec, I could even argue that! But I guess the reason why I put it last is probably because it's really sad, kind-of depressing, and normally I'd like a music video to make me happy. (Although, in defense of that, this video does have an interesting and hopeful ending)



This next one is "8th World Wonder," sung by Kimberley Locke. The joyful nature of this song puts it ahead in third place. Also in contrast to "Whiskey Lullaby," Kimberley herself is in the story of her music video, and I love that aspect of it. This video's defining feature is the way it is put together in reverse chronilogical order, going backwards through the week- it's awesome. Because of that, it holds your attention all the way through. Locke isn't as well-known as the upcoming artists, but she is mostly known for this hit.



"Objection Tango," sung by Shakira is number two in my countdown. This video is upbeat, tells a story, and the artist again participates in more than just the singing. But, to add to the appeal of this music video, there's dancing!, and not just any dancing, but partner dancing!, AND not just any partner dancing, but the tango!!! :) It's a blast, and I would love to learn it! Besides the tango, Shakira dances on her own, of course. This video also incorporates a very cool special feature when it slips into animation to show how Shakira imagines the scene going and then slips back out to show reality. This video is also really funny, while the previous two were pretty much devoid of that humor. Shakira is my hero; she rocks. :)



And finally, the moment you've all been waiting for (or maybe not, I don't know who all will bother to read and watch all of this, but I've kinda always wanted to write that sentance)!!!!! The number one spot goes to..... "She's No You," by Jesse McCartney! (Sorry to those of you who are disappointed- lol.) My reasoning for this: first of all, as before, great song, great artist, tells a story, Jesse himself is the main character, and it leaves you with a happy feeling. What makes this song worthy of the number one spot? The story line is easy to follow unlike a lot of music videos that quickly flash pictures and/or are just hard to follow with a weird plot. This video is also in black and white, which adds to the simplicity and, I think, works beautifully for this particular video- it was a good choice. Also, Jesse is beautiful. Simple as that. ;)



Well, there you have it: my FOUR favorite music videos. For my hyperlinks, I decided to connect you directly to the lyrics as well as another good song by the artist. I'd also like to say, these are just the ones that I could think of. I'm sure someone could show me a video tomorrow that could become my new favorite. That's the way it is with these things. Anyways, I had a lot of fun writing this. Hopefully someone out there had fun reading it, or at least got to procrastinate on some homework a little bit longer, aka: (in the words of our beloved English professor) do something stupid. :) Ya know? Waste some time; watch the videos! Why not? Ciao.

Sunday, November 11, 2007

...Talking about Talk Talk


Talk Talk - Click here for another funny movie.

Communication: it is probably the most necessary thing on earth. No matter what one chooses to do in life, one will always have to communicate with others around oneself. To survive and to get anywhere in this life, we all need to understand each other and have ways of communicating. Just like everyone needs to eat, everyone needs to communicate. This commercial about “Talk Talk” plays off of that basic human need, like a lot of commercials do. If they talk about something that people need, they can twist it into saying that in order to do that better their particular product is necessary. It is a great persuasion technique. Talk Talk employs this method as well as using the rhetorical appeals to create a gripping and memorable commercial.

Talk Talk presents a better way of communicating. It tells the audience in the commercial that, “whoever you are, every call you make to each person on your land line is free, forever.” That is a pretty good offer. The commercial does not say anything about a catch, for example, how much you have to pay in order to be a part of Talk Talk. But the interesting thing about that is that as a normal viewer, you do not think anything of that. All that was going through my head the first time I watched it was, “wow, these people are amazing.”

This is the commercial’s best aspect: the amazing visuals in provides. As stated in Envision, “in our visually saturated world” making a point through the pictures one presents in an argument is of the utmost importance. Our eyes act and process faster than our ears. The proof of this is everywhere around us. 90% of what we say is our body language and not the actual words we speak. When an actor moves on stage the movement is noticed above any speaking part (which is why actors generally stand still when delivering a line). If someone says that they are fine, but their face is full of sorrow, which do we tend to believe?
That being said, the Talk Talk commercial is very well done because it catches your eye and forces you to pause and pay attention; it’s just that fascinating. The visual is also very subtle so that you don’t even realize that you are being persuaded, but instead you are caught up in the enjoyment of the pictures created by the people in the commercial.

Talk Talk uses many people who come together to create something bigger. They make moving pictures to match everything the speaker is saying. The crowd of people wearing pink and red shirts forms a heart while others in gray and black come together to create an arrow that pierces it, and afterwards, the people in pink and red regroup to form two little hearts. All this happens as the speaker says, “People in love.” The people then work together to form a boy and girl holding hands and waving to represent “good friends,” a buggy that rolls along to represent “new moms,” and two kids tossing a ball back and forth to demonstrate “families.” This is a great appeal to pathos because it speaks to all different people, and we each can relate to one of those things.

On a smaller level, they could have just shown us, for example, a normal picture of a buggy. That they chose not to do this was very powerful. Instead, the people in the commercial work together to create one. This is essentially the entire point of the commercial: people together. It is people working together, people communicating together. When you watch the commercial closer, for a second or third time, you start to look at not just the big picture, but also each individual person. How do the girls who make up the “ball” that the kids play with stay on the right track? They must get dizzy. And it’s really neat how the talking mouth is created with the two people holding hands and swinging their arms. And, the people who form the buttons of the phone are really cute! A fascinating commercial such as this one, in which there is always something to look at, is really affective.

The dialogue fits perfectly with the pictures, as well as the simple and relaxed yet upbeat music. In contrast to the complex pictures created, the spoken message is short, sweet and to the point. A few short phrases serve as examples. The following single sentence answers the question, “why do I need this product?” And then the narrator finishes the commercial by giving us the name, Talk Talk, and reciting the slogan, “Let’s do it together.” This sums it up beautifully, with a name and a slogan that will stick in your head. Furthermore, the entire commercial has already showed us “Let’s do it together.” The words in this case act as a confirmation of the pictures, and example of logos at work.

Another way the commercial uses logos is its casual if-then argument. If you join Talk Talk here’s what will happen: you’ll be connected to people, and you’ll be able to call all the people that you need to call and care about for free, forever. The data they are presenting could be skewed in some way, however. Because of the simplicity of the commercial, it doesn’t tell you everything. There’s a cost, of course, and there’s probably a limit as to whom you can talk to for free when you join, and they probably have to have Talk Talk as well, which would make it more complicated. But why get into all that? The point of the commercial is to hook and keep the audience’s attention and to make a strong impression. And the commercial definitely accomplishes its goals.

As stated earlier, pathos also really works in this argument. The commercial establishes an immediate, intimate connection with the audience. The audience is greeted with images of everyday people, just like you and I, forming bigger pictures, also of everyday people. So, the commercial connects with the audience on both the levels. On the one level, the watcher will think, “wow, what they are doing is so cool!” and will imagine themselves as a part of it, which is the goal of the commercial, to create a unified, cooperative way of thinking. On the second level, which the person watching might not even be aware of, they will understand that this commercial is speaking directly to them, because while the majority of the people watching the commercial are not new moms, most are good friends, family members, and/or lovers. Therefore, realized or not, viewers begin to think, “That’s me. This could be good for me, too.”

Although much more difficult to find and analyze, the Talk Talk commercial actually employs ethos along with the other two forms of rhetorical appeals. Sometimes in the use of ethos an image is sold rather than a product. I believe that is what’s happening here. The commercial does not inform the viewer as to how they can become a part of this Talk Talk. It doesn’t even give them a number to call to find out more information. What it does do is plant images in your head that you will remember for a long time. I won’t soon forget the people coming together to form the simple words, “Talk Talk.” Nor will I forget the catchy slogan, another way the makers of this commercial use ethos. “Let’s do it together” is a very appealing phrase that a viewer will remember.

So, what the people of Talk Talk do so cleverly through the ethos, as well as logos, pathos and the other aspects of argumentation and appeal, is sell their companies reputation, and they do it very well. This short, catchy, and very unique commercial is something that anyone who watches it will not soon forget.